Bauhaus-Universität Weimar

S90 
Psychology of Music 
56. Johnstone, J. A. Phrasing in Piano Playing, Witmark, New York, 1913. 
57. Johnstone, J. A. Touch Phrasing and Interpretation, Reeves, London, 19—. 
58. Kelley, Noble. A comparative study of the response of normal and patho¬ 
logical ears to speech sounds, J. Exper. Psychol., XXI (September), 1937, 
342-352. 
59. Kelley, Noble. Presbycousis, J. A. S. A. (in press). 
60. Kelley, Noble, and Reger, Scott N. The effect of binaural occlusion of the 
external auditory meati on the sensitivity of the ear for bone conducted 
sound, J. Exper. Psychol., XXI, August, 1937, 211-217. 
61. Knock, Carl J. Visual training of the pitch of the voice, la. St. Psy., VIII, 
1922, 102-127. 
62. Knudsen, V. O. The sensibility of the ear to small differences of intensity 
and frequency, Phys. Rev., XXI, 1923, 84-102. 
63. Koch, Hans, and Mjoen, Fridtjof. Die Erblichkeit der Musikalität, 
Zsch. Psychol., 121, 104-136. 
64. Kock, Winston E. Certain subjective phenomena accompanying a fre¬ 
quency vibrato, J. A. S. A., VIII, 1936, 23-25. 
65. Koerth, Wilhelmina. A pursuit meter: eye-hand coordination, la. St. Psy., 
VIII, 1922, 288-292. 
66. Klein, Herman. Great Women Singers of My Time, E. P. Dutton, New York, 
1931. 
67. Kullak, A. Esthetics of Pianoforte Playing, Schirmer, New York, 1893. 
68. Kurtz, E. B., and Larsen, M. J. An electrostatic audio generator, Elec. 
Eng., September, 1935. 
69. Kwalwasser, J. Tests and Measurements in Music, Birchard, New York, 
1927. 
70. Kwalwasser, J. The vibrato, la. St. Psy., IX, 1926, 84-108. 
71. Laase, Leroy T. The effect of pitch and intensity on the quality of vowels in 
speech, Arch. Sp., II, 1937, 41-61. 
72. Larsen, M. J. An electrostatic tone generator, J. A. S. A. (in press). 
73. Larson, Delia. An experimental critique of the Seashore consonance test, 
la. St. Psy., XI, 1928, 49-81. 
74. Larson, Ruth C. Studies on Seashore’s “Measures of Musical Talent,” 
Univ. of la. series, Aims and, Progr. of Res., II, 1930. 
75. Larson, William S. Measurement of talent for the prediction of success in 
instrumental music, la. St. Psy., XIII, 1930,33-73. 
76. Lenoir, Zaid D. Racial differences in musical capacities, thesis, Univ. 
of Iowa Library, Iowa City, 1925. 
77. Lewis, Don. Pitch: its definition and physical determinants, la. St. Mus., 
IV, 1937, 346-373. 
78. Lewis, Don. Vocal resonance, J. A. S. A., VIII, 1936, 91-99. 
79. Lewis, Don, and Cowan, Milton. The influence of intensity upon pitch of 
violin and cello tones, J. A. S. A., VIII, 1936, 20-22. 
80. Lewis, Don, Cowan, Milton, and Fairbanks, Grant. Pitch variations 
arising from certain types of frequency modulation, J. A. S. A., IX, 1937, 
79. 
81. Lewis, Don, and Larsen, M. J. The cancellation, reinforcement and measure¬ 
ment of subjective tones, Proc. Nat. Acad. Sei., XXIII, 1937, 415-421.
        

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