in
and Art.
Literature
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common life, and more efpecially fcandalous and indecent anecdotes, like
the jogelors and performers of farces in the middle ages. The Romans
were very much attached to thefe performances, fo much fo, that they
even had them at their funeral procefiions and at their funeral feafts. In
our figure, the mimus is reprefented naked, mafked (With an exaggerated
nofe), and wearing what is perhaps intended as a caricature of the
Phrygian bonnet. In his right hand he holds a bag, or purfe, full of
objects which rattle and make a noiie when fhaken, while the other holds
the crotalum, or calianets, an initrument in common ufe among the
ancients. One of the ftatues in the Barberini Palace reprefents a youth
in a Phrygian cap playing on the crotalum. VVe learn, from an early
authority, that it was an inftrument efpecially ufed in the fatirical and
burlefque dances which were fo popular among the Romans.
As I have remarked before, the Romans had no tafte for the regular
drama, but they retained to the laflz their love for the performances of
the popular mimi, or comzedi (as they were often called), the players
of farces, and the dancers. Thefe performed on the Rage, in the public
fellivals, in the itreets, and were ufually introduced at private parties."'
Suetonius tells us that on one occafion, the emperor Caligula ordered a
poet who compofed the" Atellanes (Attllame poetam) to be burnt in
the middle of the amphitheatre, for a pun. A more regular comedy,
however, did flourifh, to a certain degree, at the fame time with thefe
more popular competitions. Of the Works of the earlieit of the Roman
comic writers, Livius Andronicus and N aevius, we know only one or two
titles, and a few fragments quoted in the works of the later Roman
writers. They were followed by Plautus, who died B.C. 184, and nineteen
of whofe comedies are preferved and well known; by feveral other
writers, whofe names are almoft forgotten, and whofe comedies are all
loft; and by Terence, fix of whofe comedies are preferved. Terence
died about the year 159 B.C. About the fame time with Terence lived
Lucius
'1' See, for allusions to the private employment of these performances, Pliny,
Epiit. i. 15, and ix. 36.