Bauhaus-Universität Weimar

Titel:
A history of caricature and grotesque in literature and art
Person:
Wright, Thomas Fairholt, Frederick William
Persistente ID:
urn:nbn:de:gbv:wim2-g-1429385
PURL:
https://digitalesammlungen.uni-weimar.de/viewer/resolver?urn=urn:nbn:de:gbv:wim2-g-1434072
in 
Literature 
and Art. 
413 
time, any more than the ban and arierban of :1 kingdom is raifed, unlek 
to make fnre work, or in cafes of great exigency and imminent danger." 
"The Print," he goes on to fay, " is originally a Dutch talifman (be- 
queathed to the ancient Batavisins by a certain Chinefe necromancer and 
Trumpet and Drum  
painter), with a virtue far exceeding that of the Palladium, not only of 
guarding their cities and provinces, but alfo of annoying their enemies, 
and preferving a due balance amongft the neighbouring powers around." 
This writer warms up fo much in his indignation againft this new weapon 
of the Whigs, that he breaks out in blank verfe to tell us how even the 
myiierious power of the magician did not deftroy its vi6tims- 
Swifter than heretofbre the Print qfzfd 
The pom]: qf mrghtiefl monarchs, and  
The dread idea qf royal majs]?_y; 
Dwindling the prince belww the pigmy 
hyzrmfr
        

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