Bauhaus-Universität Weimar

Titel:
A history of caricature and grotesque in literature and art
Person:
Wright, Thomas Fairholt, Frederick William
Persistente ID:
urn:nbn:de:gbv:wim2-g-1429385
PURL:
https://digitalesammlungen.uni-weimar.de/viewer/resolver?urn=urn:nbn:de:gbv:wim2-g-1433440
350 
Gratefque 
Caricature and 
Hffiory Of 
Its power was greateft on the middle and lower claffes of fociety, that 1s, 
on the people, the tiers dtat, which was now thrown prominently forward. 
The new focial theory is proclaimed in a print, of which a fac-Iimile will 
be found in the " Mufee de la Caricature," by E. J. Jaime, and which, 
from the Ityle and coflume, appears to be German. The three orders, 
the church, the lord of the land, and the people, reprefented refpeclively 
by a bifhop, a knight, and a cultivator, [land upon the globe in an honour- 
able equality, each receiving direct from heaven the emblems or imple- 
ments of his duties. To the bilhop is delivered his bible, to the hu{band- 
7 1; X 
 vfx  M  
Wk  .71 X  
4' 9 ' -  
as   Xi] 
    
Yd L  '  
 
The Three Order: qf the Stale. 
man his mattock, and to the knight the fword with which he is to 
proteet and defend the others. This print--fee cut No. I72--which 
bears the title, in Latin, " Quis te praetulit ? " (Who chofe thee P) belongs 
probably to the earlier half of the Hxteenth century. A painting in the 
Hotel de Ville of Aix, in Provence, reprefents the fame fubject much 
more fatirically, intending to delineate the three orders as they were, and 
not
        

Nutzerhinweis

Sehr geehrte Benutzer,

aufgrund der aktuellen Entwicklungen in der Webtechnologie, die im Goobi viewer verwendet wird, unterstützt die Software den von Ihnen verwendeten Browser nicht mehr.

Bitte benutzen Sie einen der folgenden Browser, um diese Seite korrekt darstellen zu können.

Vielen Dank für Ihr Verständnis.