in
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refiitance, and only obtained their pardon through the generous inter-
cefhon of the princefs Whom they had fo groflly infulted.
Marguerite was herfelf a poetefs, and the loved above all things thofe
gay, and feldom very delicate, ttories, the telling of which was at that
time one of the favourite amufements of the evening, and one in which
{he was known to excel. Her poetical writings were colleeted and
printed, under her own authority, in 1547, by her then
Jean de la Haye, who dedicated the volume to her daughter. They are
all graceful, and fome of them Worthy of the bell poets of her time. The
title of this colleetion Was, punning upon her name, which means a peail,
" Marguerites de la Marguerite des princeifes, tres illuftre reyne de
Navarre." Marguerite's ilories (nouvelles) were more celebrated than
her verfes, and are (aid to have been committed to writing under her
own diitation. All the ladies of her court poiTeH'ed copies of them in
writing. It is underltood to have been her intention to form them into
ten clays" tales, of ten in each day, fo as to refemble the "Decameron "
of Boccaccio, but only eight days were finiihed at the time of her death,
and the imperfect work was publilhed pofthumoufly by her valet-de-
chambre, Claude Gruget, under the title of " L'Heptameron, ou Hittoire
des Amants Fortunes." It is by far the belt collection of {tories of the
fixteenth century. They are told charmingly, in language which is a
perfect model of French compofition of that age, but they are all tales of
gallantry fuch as could only be repeated in polite fociety in an age
which was eifentially licentious. Queen Marguerite died on the 21ft of
December, 1549, and was buried in the cathedral of Pau. Her death
was a fubjeet of regret to all that was good and all that was poetic, not
only in France, but in Europe, which had been accuflomcd to look upon
her as the tenth Mufe and the fourth Grace
Mufarum dccima at Clrarilum quarta, inrlyta reg-um
Er jrror er conjux, Marguari: illa jacet.
Before M arguerite's death, her literary circle had been broken up by
the hatred of religious perfecutors. Already, in 1536, the imprudent
boldnefs of Marot had rendered it impollible to protevii him any longer,
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