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necessary to his improvement as to exercise his
pencil on different subjects. And, beyond all, he
was profoundly sensible, by this time, that he
could not hope toe attain eminence in' his profes-
sion, without inspecting the great master-pieces
of art in Europe, and comparing them with his
own works in order to ascertain the extent of his
powers. This philosophical view of his situation
was doubtless partly owing to the excellent pre-
cepts of Provost Smith, but mainly to his own
just perception of what was necessary to the suc-
cessful career of an Artist: indeed the principle
upon which the notion was formed is universal,
and applies to all intellectual pursuits. Accord-
ingly, impressed with these considerations, he
frugally treasured the earnings of his pencil, that
he might undertake, in the first place, a profes-
isional journey from Philadelphia, as preparatory
to acquiring the means of afterwards visiting
Europe, and particularly Rome. When he found
that the state of his funds enabled him to under-
take the journey, he went to New York.
II. The Society of New York was much less
intelligent in matters of taste and knowledge than